Volume 8, Issue 4

சேரன் கவிதைகளில் எதுகையும் மோனையும் (ALLITERATION AND ASSONANCE OF CHERAN’S POETRY)

Author

T. AMULPRIYA (Ref.No. 11382/Ph.D.K8/Tamil/Full Time/October 2017/Confirm./Dt: 25.01.2021), Research Scholar, Department of Tamil, Kunthavai Naacchiyaar Government Arts College for Women (Autonomous), Thanjavur-613 007, Tamil Nadu, India (Affiliated to Bharathidasan University) (த.அமுல்பிரியா (Ref.No. 11382/Ph.D.K8/Tamil/Full Time/October 2017/Confirm./Dt: 25.01.2021) முழுநேர முனைவர் பட்ட ஆய்வாளர், தமிழ்த்துறை உயராய்வு மையம் குந்தவை நாச்சியார் அரசினர் மகளிர் கலைக் கல்லூரி (த),தஞ்சாவூர்-613 007 (பாரதிதாசன் பல்கலைக் கழக இணைவு பெற்றது)

Abstract

Poetry is a powerful art form that stimulates the thinking power of man and engages him in introspection. New poetry is a beautiful form that appears in the imagination of the poet.   A genre of literature that is free from grammatical limitations and crawls with unrestrained freedom to paint all the happenings in society in words and capture the hearts of art lovers.       Aristotle created Poetics considering only the medium of poetry. But the practice of creating literature in prose did not exist then. That is why autobiographical poetry, dramatic poetry, and epic poetry speak about the nature of poetry. Due to the abundance of prose works in this period, poetics became a principle of literary discourse. Literary theory can be renamed as poetics. Poetics is based on language forms and language elements. Among the femoral components best considered in gait techniques is the use of hamstrings and hamstrings. Through this article you can see the features of Cheran poetry...

Keywords: Alliteration, Paired Alliteration, Alternating Alliteration, One-interval Alliteration, Clustered Alliteration, Assonance, Line-initial Assonance, Parallel Assonance, Alternating Assonance, One-internal Assonance, Clustered Assonance, Earlier Position Assonance, Lower-position Assonance, Complete Assonance.

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T. AMULPRIYA (Ref.No. 11382/Ph.D.K8/Tamil/Full Time/October 2017/Confirm./Dt: 25.01.2021), Research Scholar, Department of Tamil, Kunthavai Naacchiyaar Government Arts College for Women (Autonomous), Thanjavur-613 007, Tamil Nadu, India (Affiliated to Bharathidasan University) (த.அமுல்பிரியா (Ref.No. 11382/Ph.D.K8/Tamil/Full Time/October 2017/Confirm./Dt: 25.01.2021) முழுநேர முனைவர் பட்ட ஆய்வாளர், தமிழ்த்துறை உயராய்வு மையம் குந்தவை நாச்சியார் அரசினர் மகளிர் கலைக் கல்லூரி (த),தஞ்சாவூர்-613 007 (பாரதிதாசன் பல்கலைக் கழக இணைவு பெற்றது) | சேரன் கவிதைகளில் எதுகையும் மோனையும் (ALLITERATION AND ASSONANCE OF CHERAN’S POETRY) | DOI:

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Journal Frequency: ISSN 2582-399X, Quarterly (January, April, July, October)
Paper Submission: Throughout the month
Acceptance Notification: Within 6 days
Subject Areas: Multidisciplinary
Publishing Model: Open Access
Publication Fee: .  INR 1000 for Indian authors, $50 for international authors, and $30 for authors from Sri Lanka
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